After training as an actor and enduring various false starts on the production side of things (his first job was as an assistant on a Dolph Lundgren video, literally clearing the dog shit out of the car-park so Dolph wouldn't get his trainers dirty) he spent six years killing time in an L.A. The 29-year-old writer-director has come a long way in the last couple of years. Speaking quickly in a voice not unlike that of Mickey Dolenz and punctuating his enthusiasm - "It's a really incendiary movie, you can't show it to an audience without getting a reaction" - with words like "man" and "cool", he really is rather proud of his creation.Īnd so he should be. He is also eminently likeable, which probably explains how he got away without a dressing down from the world's number one female recording artist, having described her as a "regular fuck machine" in his script. Probably because he wolfed down too many E numbers as a child, Tarantino is extremely animated. Tucked away in the corner of a Whitehall pub, he is more interested in this, his third pint of draught Guinness, than buying into the Next Big Thing malarkey. Tall, rangy and sporting an unkempt thatch of hair, Quentin Tarantino is not, however, your immediate idea of a "man of the moment".
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Brown - played by Tarantino himself - expounds to the guys in the diner his somewhat eccentric interpretation of Like A Virgin ("It's about a girl who digs a guy with a big dick") a scene which swishes back the curtain on a tale of macho bravura in the aftermath of a diamond heist - a high testosterone movie redolent of Kubrick's The Killing or Huston's The Asphalt Jungle made by a young Scorsese - which, translated, means that Tarantino is the hot new Hollywood talent. Quentin Tarantino is, of course, referring to the classic opening of Reservoir Dogs, his stunning directorial debut, in which Mr. She said, 'No, it's about love, it's about a girl who's been messed over and she finally meets this one man who loves her.' She signed my Erotica album, 'To Quentin. "So I asked her, 'Am I right about the song?' because I really believed that was the subtext. "You know, Madonna liked the movie a lot and wanted to meet me," chuckles Quentin Tarantino. Jeff Dawson meets the director and his stars Tim Roth and Harvey Keitel. It is, of course, Reservoir Dogs, and it is currently earning its creator, Quentin Tarantino, major Boy Wonder status around the world. It has been likened to Scorsese at his very best. MaGraw Hill: Boston.It has been hailed as the most original debut for decades. By having the same scene at the beginning and end of the film, there is a challenge in a way because throughout the film we don’t know how the word “Rosebud” is going to become relevant in Kane’s death.īordwell and Thompson, 2004. Citizen Kane differs from Reservoir Dogs as it’s whole plotline follows mystery of “Rosebud,” which adds an enigma to the film and makes it unpredictable. I would argue that Citizen Kane is much more unpredictable than Reservoir Dogs as the film is so out of order that you do not know what will happen next. The events of the robbery are both explicitly and implicitly revealed to the audience later on in the film Reservoir Dogs, such as different narrators meaning different characters have to fill in areas of the story leaving gaps in the plot. Although this plot does reconstruct the story order in a more complicated way, I wouldn’t say it was unpredictable.Ĭitizen Kane has similar aspects that also adds to the shock of some events happening in the “present” such as Mr Blond cutting a policeman’s ear off as we do not know he is a “trigger-happy killer”. As we do not see the events of the heist when it should take place in linear time, it adds mystery to the rest of the film and leaves room for each of the characters to reveal their true identity in the form of flashbacks. One area I looked at was the placement of the opening titles as it cuts between the main characters walking towards a car before the diamond robbery and cuts to after the robbery has taken place when Mr Orange has been shot and is in the back of Mr White’s car. I looked at Reservoir Dogs because of the way it presents information about the characters to the audience. This relates to the way that narratives are structured for effect so they can give you information when they see it necessary to do so. Still, just as we enjoy learning the rules of new games rather than playing the same over and over, in unusual films we can enjoy the challenge of unpredictable presentations of story events’ (Bordwell and Thompson, 2004). Most Hollywood films make this game fairly simple. ‘For a spectator, reconstructing story order from the plot might be seen as a sort of game. Reservoir Dogs (Quentin Tarantino, USA, 1992)
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